A good example would be that the original pickups sounded like they were in the next room, the Reed James pickups sounded like you were in the same room. The Reed James pickups were louder without having all the added midrange of higher output pickups. Both the original neck pickup and EMGHZ4 were muddier than the Reed James Customs. This enabled me to go back and compare the Reed James pickups against the original pickups with the exact same riffs and amp settings just by sliding levels up and down. 30 seconds worth of blues on an overdriven Fender setting. 30 seconds worth of finger picking on a Roland Jazz setting. 30 seconds worth of Ziggy Stardust on a Vox setting. For example, 30 seconds worth of Thin Lizzy riffs through a Marshall setting. Track Four, Reed James Woodbucker bridge pickup.įor Each track I recorded the same riff with its own amp model setting. Track three, Reed James Woodbucker neck pickup. I wanted to get the clearest comparison of the originals VS the Reed James pickups I could, so I devised a test.įor testing, I used my digital multi-track device (BOSS BR1180CD) and recorded a series of riffs from each pickup on its own track. The Guitar itself came with one original pickup and an EMG HZ4 pickup in the bridge.
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